Biologists in the Leonardo Da Vinci DNA Project have shared a trio of fascinating, innovative papers.
Manolito G. Torralba, Claire Kuelbs, Kelvin Jens Moncera, and Karen E. Nelson of the J Craig Venter Institute, La Jolla, California, and Rhonda Roby of the Alameda California County Sheriff’s Office Crime Laboratory, used small, dry polyester swabs to gently collect microbes from centuries-old, Renaissance-style art in a private collector’s home in Florence, Italy. Their findings are published open access in the journal Microbial Ecology, “Characterizing microbial signatures on sculptures and paintings of similar provenance.”
Concurrently available are a pair of papers by David Thaler, of the University of Basel and a guest investigator in the Program for the Human Environment. David’s papers are
Thaler’s papers form part of a collection now in press as a book: Actes du Colloque International d’Amboise: Leonardo de Vinci, Anatomiste. Pionnier de l’Anatomie comparée, de la Biomécanique, de la Bionique et de la Physiognomonie, edited by Henry de Lumley, CNRS editions, Paris.
Two major newswires, Agence France Presse and Agencia EFE, each did separate stories:
LiveScience, United States Did Leonardo da Vinci’s ‘quick eye’ help him capture Mona Lisa’s fleeting smile?
By Leonardo Da Vinci DNA Project (summary)